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"A Festa dos Seus Sonhos" is a video live album by Brazilian pop group 'Rouge', recorded from a special show at the Pacaembú Stadium (São Paulo) on September 21, 2003, commemorating the group's first year of existence and brought together about 30,000 people.

Dr. Botelho Pinto is an idealistic lawyer with a fixed idea: to put an end to Tabajara Organizations once and for all. Before the judge of the First Family Court: First the Mother, Then the Daughter, Botelho accuses the business empire of testing on its favela client Lindauro das Dores a medicine with an unexpected side effect: it awakens in dogs in heat an uncontrollable sexual appetite for the patient.

一伙罪犯遭到两名侦探的追捕，这两名侦探正在揭开该团伙与隐秘组织以及一战期间德国间谍活动的秘密关联。

In a small city of Brazil, Flor (a very good looking woman) marries Vadinho, a very handsome and erotic man. Once married she finds he is a good-for-nothing. She works teaching cooking to her neighbours but he takes all her money to gamble. One day he dies. Flor misses the goods of the marriage so she marries again with a very correct gentleman – the owner of the drugstore (Teodoro). Now she’s very happy with her man, but misses the erotic moments with her previous husband. Then the ghost of Vadhino comes to earth to chase her.

Florípedes, Dona Flor, a cooking teacher, loses her husband Vadinho, an incorrigible trickster, on Carnival Sunday. In deep mourning, tearful, she recalls the ups and downs of that relationship. But, as she is still young and beautiful, she attracts the attention of the very correct pharmacist Teodoro, with whom she marries.

The fading of composer Zé Keti’s career. The sad portrait of Brazilian Congress closed in 1977. The pain of a mother who lost her 15-year old daughter run over by a car. The Brazilian Presidents since Castelo Branco. Characters and settings registered through the keen and sensitive perspective of photographer Orlando Brito, in a career spanning 50 years as a professional. From the political sidelines to the lives of Brazilians from the interior, Brito recalls experiences and discusses the role of the photographer and the pain of registering someone’s grief.